Skip to main content

'Fight Club' is 10 Today


Still the best movie of 1999 in my opinion regardless of what the Academy thought. With the cult following it's developed and people introduced to it everyday and a Blu-ray release coming soon Fight Club will probably still be talked about when I'm 50 years old.

Comments

Ben said…
I didn't used to follow the Academy Awards, so it came as quite a surprise that American Beauty won the best picture award.

That movie was the purest of crap.

There were definitely a lot of much better movies that year, with Fight Club among the best of them.

But damn American Beauty was stupid.
Ben said…
I consider the following films from 1999 to be better than American Beauty (and these are just ones I've seen):

* 10 Things I Hate About You
* Being John Malkovich
* The Boondock Saints
* Bowfinger
* But I'm a Cheerleader
* eXistenZ
* Eyes Wide Shut
* Fight Club
* Galaxy Quest
* Ghost Dog: The Way of the Samurai
* The Green Mile
* The Matrix
* Mystery Men
* New Waterford Girl
* Office Space
* Payback
* Run Lola Run
* South Park: Bigger, Longer & Uncut
* Three Kings
* Toy Story 2

Obviously these are all better than American Beauty.
Colin Biggs said…
1999 was a great year for film.

Being John Malkovich was probably the strangest movie I've ever seen, but I only saw it once and was watching it from 2-4 a.m. during my nightshift working the desk.

That might have something to do with it.
Ben said…
The betoqued emo filming the bag in the wind scene is one of the crappiest, banal and most insincere moments in film.

Add in Kevin Spacey's poorly simulated ennui; a boring, pretentious plot; lame-assed signalling in the colour pallet and the psuedo-cerebral "surprise" ending and you have a recipe for a film that will be appreciated by the hordes of tasteless idiots who go in for all that bullshit. It's only a shame that enough of these fools abound to elect this crap as the best film of the year. It should have won a razzie.

I prefer my bullshit to be honest, not pretending to be something it's not.

Popular posts from this blog

The Best of the Decade

Over the last ten years, the cinema has given us a great deal to be thankful for: a rebirth of the Batman franchise, a series of examinations of what it means to live in this particular decade, and a mass of character studies whether they be animated or popcorn thrillers. As much as I have enjoyed the offerings, a list must be culled together for the end of the year. Except this year is different, this year ten films must be selected from hundreds. Below are some of the best of the aughts. Enjoy! 10) There Will Be Blood Paul Thomas Anderson's magnum opus, a scathing look at extremism in America and the evils of greed and profiteering from religion. It also features the best performance of the decade with Daniel Day-Lewis as oil-man Daniel Plainview. 9)  Up A beautiful tale that entrances all ages,  Up managed to captivate children and tell a tale that adults cherish as well. 8) The Dark Knight Maybe just a comic book film, but it is the best comic book film

Paprika vs. Inception

Months before Inception hit the theaters forums were alive with rumors that Christopher Nolan either accidentally or intentionally stole some details from another film, the Japanese anime Paprika. The biggest point of comparison for some bloggers and forum runners was the fact that both of the films featured a device that allowed a person, or people, to travel into another’s dreams and delve into their subconscious. Minor points of comparison include scenes in Paprika where the character Paprika breaks through a mirrored wall by holding her hand to it, as well as a scene where a police detective falls his way down a hallway. Claims have been made that Inception abounds with imagery similar to or exactly like the anime movie, but with the recent release of the film on DVD and Blu-Ray, and with Paprika available for several years now, an examination of the two plots can be made more fully. Let us begin with the primary claim— Inception stole the idea of a dream

Armond White's Top Ten Films on Flickchart

Armond White is film criticism’s most famous contrarian. At one moment he writes  a review declaring  Toy Story 3  to be the most obscene excuse for toy commercials  he has ever watched, and then two weeks later types out  a glowing review of  Resident Evil: Afterlife . He is of split-mind for sure. But what does his Flickchart look like? Read the rest at Flickchart !